How Does It Go Again?
Some things are very difficult. Ranking right up there with licking your elbow and contacting a government department is this: Trying to remember a tune while listening to a different one.
Sacred agents live with a similar difficulty 24/7. If the world into which we are sent was merely cacophonous, it wouldn’t be so hard. But it tends to play a particular song of its own, while we are called to march to a different beat. If that makes you feel and look a bit unco then you’re no Robinson Crusoe. So how do we do it?
I like to think of Daniel and his amigos. Somehow they sustained that art of living with one’s feet in Babylon and heart in Jerusalem – the double-life of a sacred agent. How did they cope? By hitting Pause and hitting Play.
None of us can claim to have more responsibilities or a busier life than Daniel, yet paused three times a day to physically open his windows to face Jerusalem and pray. It was a conscious act of reorientation which he needed 21 times a week. How many quiet times can I afford not to have? Or am I stronger than him? Daniel switched off the Babylonian lullaby that constantly sought to spiritually pacify him and tuned in to Radio Jerusalem.
And they pressed Play. If they weren’t the authors of Psalm 137 then it was someone with the same heart: By the rivers of Babylon we sat and wept when we remembered Zion … How can we sing the songs of the LORD while in a foreign land? / If I forget you, O Jerusalem, may my right hand forget its skill / May my tongue stick to the roof of my mouth if I do not remember you, if I do not consider Jerusalem my highest joy. They never wanted to forget the heavenly tune of God’s kingdom. They needed to be able to whistle it even in (especially in) the direst of trouble.
What are your practices of pressing pause and play, of tuning out and tuning in?